<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7770859555037884979</id><updated>2011-04-21T11:15:10.126-07:00</updated><category term='Illustration of book'/><category term='ex-libris'/><category term='Public libraries'/><category term='glass plate'/><category term='gallery'/><category term='ephemera'/><category term='Glossary'/><category term='conservation'/><category term='municipal library of Lyon'/><category term='Ephemera conservation'/><category term='photography'/><category term='Postcards'/><category term='museums'/><category term='autochrome'/><category term='paintings'/><category term='graphic arts'/><category term='Tickets'/><category term='decorative art'/><category term='Contemporary tapestry'/><category term='description'/><category term='prints'/><category term='Interactive Ressource catalog'/><category term='watercolour'/><category term='French university public library'/><category term='posters'/><category term='bookplates'/><category term='History'/><category term='Wallace Collection'/><category term='collections'/><category term='etchings'/><category term='Social history'/><category term='Programmes'/><category term='descriptions'/><category term='photographic collection'/><category term='national library of France'/><category term='BPU'/><category term='catalog'/><category term='Public'/><category term='Fondation Jean Lurçat'/><title type='text'>Special collections</title><subtitle type='html'>This weblog is about the subject of my documentary dossier : The special collections.
In the dossier call special the object put together and preserved in libraries. The article show their diversity for the libraries and the public.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>13</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-5457105219198045242</id><published>2008-03-27T07:53:00.000-07:00</published><updated>2008-03-27T07:59:25.572-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='catalog'/><category scheme='http://www.blogger.com/atom/ns#' term='ephemera'/><category scheme='http://www.blogger.com/atom/ns#' term='Interactive Ressource catalog'/><title type='text'>Ephemera</title><content type='html'>&lt;a href="http://bp1.blogger.com/_YiFa18syMq0/R-u1d_q9XTI/AAAAAAAAABw/4o7ZjoeMCRs/s1600-h/mall.gif"&gt;&lt;img id="BLOGGER_PHOTO_ID_5182435323132337458" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; CURSOR: hand" alt="" src="http://bp1.blogger.com/_YiFa18syMq0/R-u1d_q9XTI/AAAAAAAAABw/4o7ZjoeMCRs/s200/mall.gif" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color:#000000;"&gt;&lt;strong&gt;FULL REFERENCE&lt;br /&gt;&lt;/strong&gt;Ephemera. [on line] (Visited : 2008/03/13) Available at &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm"&gt;&lt;span style="color:#000000;"&gt;http://www.the-forum.com/EPHEMERA/index.htm&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EXTRACT&lt;br /&gt;&lt;/strong&gt;“&lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#brit"&gt;&lt;span style="color:#000000;"&gt;British Royalty Collectibles&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#Calendars"&gt;&lt;span style="color:#000000;"&gt;Calendars&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#Catalog"&gt;&lt;span style="color:#000000;"&gt;Catalogs&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/comicind.htm"&gt;&lt;span style="color:#000000;"&gt;Comic Strips and Comic Books&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/entertai.htm"&gt;&lt;span style="color:#000000;"&gt;Disney&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/entertai.htm"&gt;&lt;span style="color:#000000;"&gt;Entertainment&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#Game"&gt;&lt;span style="color:#000000;"&gt;Game and Playing Cards&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#Gum"&gt;&lt;span style="color:#000000;"&gt;Gum Cards and Wrappers&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#Labels"&gt;&lt;span style="color:#000000;"&gt;Labels&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/photog.htm"&gt;&lt;span style="color:#000000;"&gt;Photographica&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#Pinback"&gt;&lt;span style="color:#000000;"&gt;Pinback Buttons&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#Politcal"&gt;&lt;span style="color:#000000;"&gt;Politcal&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#Sheet"&gt;&lt;span style="color:#000000;"&gt;Sheet Music&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/collect/sports.htm"&gt;&lt;span style="color:#000000;"&gt;Sports Collectibles&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#steven"&gt;&lt;span style="color:#000000;"&gt;Stevengraphs&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#Stock"&gt;&lt;span style="color:#000000;"&gt;Stock Certificates&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/entertai.htm"&gt;&lt;span style="color:#000000;"&gt;Television&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/entertai.htm"&gt;&lt;span style="color:#000000;"&gt;Theater and Film Memorabilia&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/tobacco.htm"&gt;&lt;span style="color:#000000;"&gt;Tobacco&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#Trade"&gt;&lt;span style="color:#000000;"&gt;Trade Cards&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/EPHEMERA/index.htm#travel"&gt;&lt;span style="color:#000000;"&gt;Travel and Transportation&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; &lt;/span&gt;&lt;a href="http://www.the-forum.com/collect/worldfai.htm"&gt;&lt;span style="color:#000000;"&gt;World's Fairs and Expositions&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; “&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DUBLIN CORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Title :&lt;br /&gt;&lt;/strong&gt;Ephemera&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Creator :&lt;/strong&gt; &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color:#000000;"&gt;Harvey Schlesinger&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Identifier :&lt;/strong&gt;&lt;br /&gt;http://www.the-forum.com/EPHEMERA/index.htm&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Date :&lt;br /&gt;&lt;/strong&gt;/&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Description :&lt;br /&gt;&lt;/strong&gt;Presents a website catalog of ephemera en particulary and the other object&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Subject :&lt;br /&gt;&lt;/strong&gt;-Ephemera&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Format :&lt;br /&gt;&lt;/strong&gt;html&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Language :&lt;br /&gt;&lt;/strong&gt;En&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Type :&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;a name="InteractiveResource-003"&gt;&lt;span style="color:#000000;"&gt;Interactive Ressource&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000000;"&gt; catalog&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Rights :&lt;/strong&gt; &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="color:#000000;"&gt;IAACF Ltd&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-5457105219198045242?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/5457105219198045242/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=5457105219198045242' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/5457105219198045242'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/5457105219198045242'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/03/ephemera.html' title='Ephemera'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_YiFa18syMq0/R-u1d_q9XTI/AAAAAAAAABw/4o7ZjoeMCRs/s72-c/mall.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-633617572397761950</id><published>2008-03-20T08:11:00.000-07:00</published><updated>2008-03-20T09:06:02.523-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ephemera conservation'/><category scheme='http://www.blogger.com/atom/ns#' term='ephemera'/><title type='text'>Slipping thru the Cracks: Issues with Performing Arts Ephemera</title><content type='html'>&lt;a href="http://bp2.blogger.com/_YiFa18syMq0/R-KFyfq9XSI/AAAAAAAAABk/EYy1h5OgVTA/s1600-h/images.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5179849623971126562" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; CURSOR: hand" alt="" src="http://bp2.blogger.com/_YiFa18syMq0/R-KFyfq9XSI/AAAAAAAAABk/EYy1h5OgVTA/s200/images.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;FULL REFERENCE&lt;br /&gt;&lt;/strong&gt;Kristy Davis. Slipping thru the Cracks : Issues with Performing Arts Ephemera. Ifla. [on line] May 27, 2005 [8 pages] (Visited : 2008/03/13) Available at http://www.ifla.org/IV/ifla71/papers/021e-Davis.pdf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EXTRACT &lt;/strong&gt;&lt;br /&gt;“Many articles and monographs found today on ephemera are relatively dated and few relate to the performing arts. While these older publications are still very useful, they need to be updated and the definition of “ephemera” expanded to include artefacts in addition to printed materials. ”&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DUBLIN CORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Title :&lt;/strong&gt;&lt;br /&gt;Slipping thru the Cracks: Issues with Performing Arts Ephemera&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Creator :&lt;br /&gt;&lt;/strong&gt;Kristy Davis&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Identifier :&lt;br /&gt;&lt;/strong&gt;http://www.ifla.org/IV/ifla71/papers/021e-Davis.pdf&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Date :&lt;/strong&gt;&lt;br /&gt;May 27, 2005&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Description :&lt;/strong&gt;&lt;br /&gt;“A critical discussion of ephemeral materials is important to historical documentation, and this issue, especially regarding performing arts ephemeral materials, has not been thoroughly treated in scholarly literature. This paper analyzes and discusses the literature that has been produced and supports the updating of the literature to address the current issues relating to the collection, documentation, access and storage of contemporary ephemera, particularly performing arts ephemeral materials. A bibliographic guide of ephemera and performing arts ephemeral materials citing relevant monographs, articles, journals and websites will be handed out for reference.”&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Subject :&lt;br /&gt;&lt;/strong&gt;- Ephemera&lt;br /&gt;- Ephemera conservation&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Format :&lt;/strong&gt;&lt;br /&gt;pdf&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Language :&lt;br /&gt;&lt;/strong&gt;En&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Type :&lt;br /&gt;&lt;/strong&gt;Conference and Council&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;DC Rights :&lt;/strong&gt; &lt;/div&gt;&lt;br /&gt;&lt;div&gt;IFLA&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-633617572397761950?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/633617572397761950/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=633617572397761950' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/633617572397761950'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/633617572397761950'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/03/slipping-thru-cracks-issues-with.html' title='Slipping thru the Cracks: Issues with Performing Arts Ephemera'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_YiFa18syMq0/R-KFyfq9XSI/AAAAAAAAABk/EYy1h5OgVTA/s72-c/images.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-7482673997740540679</id><published>2008-03-20T07:37:00.000-07:00</published><updated>2008-03-20T07:57:25.919-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Social history'/><category scheme='http://www.blogger.com/atom/ns#' term='Public'/><category scheme='http://www.blogger.com/atom/ns#' term='Postcards'/><category scheme='http://www.blogger.com/atom/ns#' term='Public libraries'/><category scheme='http://www.blogger.com/atom/ns#' term='Programmes'/><category scheme='http://www.blogger.com/atom/ns#' term='Tickets'/><category scheme='http://www.blogger.com/atom/ns#' term='History'/><title type='text'>Ephemera collections</title><content type='html'>&lt;a href="http://bp2.blogger.com/_YiFa18syMq0/R-J64fq9XRI/AAAAAAAAABc/CSHCX57x7HU/s1600-h/The-Great-Sorcar.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5179837632422436114" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 122px; CURSOR: hand; HEIGHT: 135px" height="128" alt="" src="http://bp2.blogger.com/_YiFa18syMq0/R-J64fq9XRI/AAAAAAAAABc/CSHCX57x7HU/s200/The-Great-Sorcar.jpg" width="106" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;FULL REFERENCE&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Auckland city libraries. Ephemera collections. Auckland city libraries. [on ligne] [1 page] (visited : 2008/03/13) Available at : &lt;a href="http://www.aucklandcitylibraries.com/heritage/ephemera/"&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.aucklandcitylibraries.com/heritage/ephemera/ephemeracollections.htm"&gt;http://www.aucklandcitylibraries.com/heritage/ephemera/&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;ephemeracollections.htm&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EXTRACT&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;“Ephemera is a term for printed material with a limited life-span – tickets, flyers, cards, programmes, posters, etc – which is produced to pass on details about specific issues, activities, events, products, and services.”&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DUBLIN CORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Title :&lt;br /&gt;&lt;/strong&gt;Ephemara collections&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Creator :&lt;br /&gt;&lt;/strong&gt;Auckland city libraries&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Identifier :&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://www.aucklandcitylibraries.com/heritage/ephemera/ephemeracollections.htm"&gt;http://www.aucklandcitylibraries.com/heritage/ephemera/ephemeracollections.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Date :&lt;/strong&gt;&lt;br /&gt;2007&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Description :&lt;/strong&gt;&lt;br /&gt;Presents a definition of ephemera collection and gives names of collections.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Subject :&lt;/strong&gt;&lt;br /&gt;-Public libraries;&lt;br /&gt;-History; Programmes;&lt;br /&gt;-Tickets; Postcards;&lt;br /&gt;-Social history&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Format :&lt;/strong&gt;&lt;br /&gt;Html&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Language&lt;/strong&gt; :&lt;br /&gt;En&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Type :&lt;/strong&gt;&lt;br /&gt;Article&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Rights :&lt;/strong&gt; &lt;/div&gt;&lt;div&gt;Auckland City Libraries copyright 2007&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-7482673997740540679?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/7482673997740540679/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=7482673997740540679' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/7482673997740540679'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/7482673997740540679'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/03/ephemera-collections_20.html' title='Ephemera collections'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_YiFa18syMq0/R-J64fq9XRI/AAAAAAAAABc/CSHCX57x7HU/s72-c/The-Great-Sorcar.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-1891015397695094143</id><published>2008-02-21T02:35:00.000-08:00</published><updated>2008-03-20T09:07:17.956-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='etchings'/><category scheme='http://www.blogger.com/atom/ns#' term='bookplates'/><category scheme='http://www.blogger.com/atom/ns#' term='prints'/><category scheme='http://www.blogger.com/atom/ns#' term='ex-libris'/><title type='text'>THE WORLD OF EX-LIBRIS</title><content type='html'>&lt;span style="font-size:100%;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_YiFa18syMq0/R71cTImnUqI/AAAAAAAAABM/IydLrFnSOjU/s1600-h/photo2.jpe"&gt;&lt;img id="BLOGGER_PHOTO_ID_5169389431087911586" style="FLOAT: right; MARGIN: 0pt 0pt 10px 10px; CURSOR: pointer" alt="" src="http://bp2.blogger.com/_YiFa18syMq0/R71cTImnUqI/AAAAAAAAABM/IydLrFnSOjU/s200/photo2.jpe" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;?xml:namespace prefix = o /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;a name="OLE_LINK2"&gt;&lt;strong&gt;FULL REFERENCE&lt;/strong&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt; &lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="81"&gt;Benoît Junod&lt;/span&gt;&lt;span class="81"&gt;&lt;span lang="EN-GB"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;. THE WORLD OF EX-LIBRIS. &lt;i&gt;Kara art home&lt;/i&gt;&lt;i&gt;.&lt;/i&gt;&lt;span style="font-size:0;"&gt; &lt;/span&gt;&lt;span style="color:black;"&gt;[on ligne]&lt;/span&gt;, [1 page]. (visited : 2008-02-21) Available at : http://karaart.com/prints/ex-libris/index.html&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;strong&gt;EXTR&lt;/strong&gt;&lt;/span&gt;&lt;strong&gt;ACT&lt;/strong&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt; &lt;/p&gt;&lt;p class="MsoNormal" style="TEXT-ALIGN: justify;font-family:times new roman;" &gt;&lt;span style="font-size:100%;"&gt;&lt;span lang="EN-GB"&gt;“&lt;/span&gt;&lt;span lang="EN-GB"&gt; &lt;/span&gt;&lt;span class="91"&gt;&lt;span lang="EN-GB"&gt;Man’s history can be read in terms of communication. First, through language and primitive images. Through the wheel, which gave humans greater mobility. But above all, through the written word, which enabled man to pass on information beyond his own life-span. Engraved on stone, clay or wax tablets, written on papyrus, vellum, parchment and later on paper, texts took the form of books, and these have always been considered privileged vehicles of knowledge, and prized possessions. »&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;DUBLIN CORE&lt;/strong&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt; &lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;strong&gt;DC Title :&lt;/strong&gt;&lt;br /&gt;THE WORLD OF EX-LIBRIS&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;DC Creator :&lt;/strong&gt;&lt;br /&gt;&lt;span class="81"&gt;Benoît Junod&lt;/span&gt;&lt;span class="81"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;strong&gt;Identifier :&lt;/strong&gt; &lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;http://karaart.com/prints/ex-libris/index.html&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt; &lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span lang="EN-GB"&gt;DC Date :&lt;/span&gt;&lt;/strong&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:0;"&gt;/&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt; &lt;/p&gt;&lt;p class="MsoNormal" style="TEXT-ALIGN: justify;font-family:times new roman;" &gt;&lt;span style="font-size:100%;"&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;strong&gt;DC Description&lt;/strong&gt; :&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="google-src-active-text"&gt;&lt;span lang="EN-GB"&gt;Present a &lt;span style="font-size:0;"&gt;&lt;/span&gt;ex-libris as a small printed graphic work of art, indicating the name of the owner of a book and pasted into his volumes, one must add ‘supralibros’, which are heraldic motifs stamped on the outer surface of the binding, often in gold, with a similar purpose of identifying the owner.&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;strong&gt;DC Subject :&lt;o:p&gt;&lt;/o:p&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span class="attribute-value"&gt;&lt;span lang="EN-GB"&gt;- ex-libris, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="attribute-value"&gt;&lt;span lang="EN-GB"&gt;- bookplates,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="attribute-value"&gt;&lt;span lang="EN-GB"&gt;- prints, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="attribute-value"&gt;&lt;span lang="EN-GB"&gt;- etchings&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;strong&gt;DC Format :&lt;/strong&gt; &lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Html &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;strong&gt;DC Language :&lt;/strong&gt; &lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;En&lt;o:p&gt;&lt;br /&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;strong&gt;DC Type :&lt;/strong&gt;&lt;br /&gt;/&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;strong&gt;DC Rights&lt;/strong&gt; : &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Kara art&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-1891015397695094143?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/1891015397695094143/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=1891015397695094143' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/1891015397695094143'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/1891015397695094143'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/02/world-of-ex-libris.html' title='THE WORLD OF EX-LIBRIS'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_YiFa18syMq0/R71cTImnUqI/AAAAAAAAABM/IydLrFnSOjU/s72-c/photo2.jpe' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-3004326991711731656</id><published>2008-02-21T02:15:00.000-08:00</published><updated>2008-03-13T08:06:41.426-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Illustration of book'/><category scheme='http://www.blogger.com/atom/ns#' term='Contemporary tapestry'/><category scheme='http://www.blogger.com/atom/ns#' term='Fondation Jean Lurçat'/><title type='text'>Jean Lurçat, une œuvre foisonnante</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_YiFa18syMq0/R71TXImnUpI/AAAAAAAAABE/8cBk3epGNyg/s1600-h/lurcat_3.jpe"&gt;&lt;img id="BLOGGER_PHOTO_ID_5169379604202738322" style="FLOAT: right; MARGIN: 0pt 0pt 10px 10px; CURSOR: pointer" alt="" src="http://bp2.blogger.com/_YiFa18syMq0/R71TXImnUpI/AAAAAAAAABE/8cBk3epGNyg/s200/lurcat_3.jpe" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;DURAND-LACAZE, Marianne. Jean Lurçat, une œuvre foisonnante. &lt;i&gt;Canal Académie.&lt;/i&gt; [on ligne],&lt;i&gt; &lt;/i&gt;&lt;span style="font-size:+0;"&gt;2007/09/02&lt;/span&gt; [3 pages] (visited : 2007/12/06) Available at : &lt;span style="font-size:85%;"&gt;&lt;a href="http://www.canalacademie.com/Jean-Lurcat-une-oeuvre-foisonnante.html"&gt;http://www.canalacademie.com/Jean-Lurcat-une-oeuvre-foisonnante.html&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="font-family:times new roman;"&gt;&lt;span lang="EN-GB"&gt;Emission suggested by Durand-Lacaze, Marianne&lt;?xml:namespace prefix = o /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" face="times new roman"&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" face="times new roman"&gt;&lt;a name="OLE_LINK2"&gt;&lt;strong&gt;FULL REFERENCE&lt;/strong&gt;&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;strong&gt;EXTRACT&lt;/strong&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman; TEXT-ALIGN: justify"&gt;“&lt;span style="font-size:+0;"&gt; Jean Lurçat fut un artiste peintre dont les tapisseries, à partir des années quarante furent connues dans le monde entier pour leur « feu ». Son ami Claude Roy disait de lui qu’il était le meilleur pilote de tapis-volant du monde : « ...Rien de ce qui est arrivé à Lurçat et rien de ce qui est arrivé à son pays n’a été absent de son oeuvre. Elle dit magnifiquement les jours de l’Histoire et les jours sans histoire... »&lt;/span&gt;.”&lt;span style="font-size:+0;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DUBLIN CORE&lt;/strong&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;strong&gt;DC Title :&lt;/strong&gt;&lt;br /&gt;Jean Lurçat, une œuvre foisonnante&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;strong&gt;DC Creator :&lt;/strong&gt;&lt;br /&gt;DURAND-LACAZE, Marianne&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;strong&gt;Identifier :&lt;/strong&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.canalacademie.com/Jean-Lurcat-une-oeuvre-foisonnante.html"&gt;http://www.canalacademie.com/Jean-Lurcat-une-oeuvre-foisonnante.html&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;strong&gt;&lt;span lang="EN-GB"&gt;DC Date :&lt;/span&gt;&lt;/strong&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;2007-09-02&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;&lt;strong&gt;DC Description&lt;/strong&gt; :&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;Presents the painter, his work and in particular his interest for the tapestry. Presents by the voice of Simone Lurçat the works of bibliophilism illustrated by Jean Lurçat before concluding on the future from the Fondation Jean Lurçat, and retaining his principal quotations.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;.&lt;br /&gt;&lt;strong&gt;&lt;span lang="EN-GB"&gt;DC Subject :&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span lang="EN-GB"&gt;- Fondation Jean Lurçat &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;span lang="EN-GB"&gt;- Illustrations of books&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;span lang="EN-GB"&gt;- Jean Lurçat&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;- Contemporary tapestry&lt;span lang="EN-GB"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;DC Format :&lt;/strong&gt; &lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Html&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" face="times new roman"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" face="times new roman"&gt;&lt;strong&gt;DC Language :&lt;/strong&gt; &lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Fr&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;strong&gt;DC Type :&lt;/strong&gt; &lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;Emission announces&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;br /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;strong&gt;DC Rights&lt;/strong&gt; :&lt;br /&gt;Academy of Science morals and policies&lt;/p&gt;&lt;p class="MsoNormal" style="FONT-FAMILY: times new roman"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-3004326991711731656?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/3004326991711731656/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=3004326991711731656' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/3004326991711731656'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/3004326991711731656'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/02/jean-lurat-une-uvre-foisonnante.html' title='Jean Lurçat, une œuvre foisonnante'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_YiFa18syMq0/R71TXImnUpI/AAAAAAAAABE/8cBk3epGNyg/s72-c/lurcat_3.jpe' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-6356465588140580702</id><published>2008-02-14T08:17:00.000-08:00</published><updated>2008-03-20T09:10:41.978-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='photography'/><category scheme='http://www.blogger.com/atom/ns#' term='glass plate'/><category scheme='http://www.blogger.com/atom/ns#' term='autochrome'/><category scheme='http://www.blogger.com/atom/ns#' term='municipal library of Lyon'/><category scheme='http://www.blogger.com/atom/ns#' term='photographic collection'/><title type='text'>Autochromes et plaques de verre</title><content type='html'>&lt;a href="http://bp2.blogger.com/_YiFa18syMq0/R7Rs2CmA14I/AAAAAAAAAA8/6DfTjRPXt8I/s1600-h/boite02-A046_2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5166874348165846914" style="FLOAT: right; MARGIN: 0px 0px 10px 10px" alt="" src="http://bp2.blogger.com/_YiFa18syMq0/R7Rs2CmA14I/AAAAAAAAAA8/6DfTjRPXt8I/s200/boite02-A046_2.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;a name="OLE_LINK2"&gt;&lt;strong&gt;FULL REFERENCE&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;br /&gt;&lt;div&gt;Bibliothèque municipale de Lyon. Autochromes et plaques de verre. &lt;em&gt;Bibliothèque municipale de Lyon&lt;/em&gt; [on ligne] [1 pages] (visited : 2008/02/14) Available at : &lt;a href="http://www.bm-lyon.fr/decouvrir/collections/autochrome.html"&gt;http://www.bm-lyon.fr/decouvrir/collections/autochrome.html&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;EXTRACT&lt;/strong&gt; &lt;/div&gt;&lt;br /&gt;&lt;div&gt;“Les collections photographiques de la bibliothèque comprennent un riche ensemble historique et patrimonial, hérité en grande partie de la Fondation Nationale de la Photographie en 1994. Parmi les procédés anciens, plusieurs milliers de plaques de verre et d’autochromes caractérisent des donations liées dans la plupart des cas à l’activité de photog&lt;a href="http://www.bm-lyon.fr/decouvrir/collections/affichage_image.php?img=../collecimage/autochrome/boite01-A011.jpg" target="_blank"&gt;&lt;/a&gt;raphes entre XIXe et XXe siècle.”&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;DUBLIN CORE&lt;/strong&gt; &lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;DC Title :&lt;/strong&gt;&lt;br /&gt;Autochromes et plaques de verre&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;DC Creator :&lt;/strong&gt;&lt;br /&gt;Public library of Lyon&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;Identifier :&lt;/strong&gt; &lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.bm-lyon.fr/decouvrir/collections/autochrome.html"&gt;http://www.bm-lyon.fr/decouvrir/collections/autochrome.html&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;DC Date :&lt;/strong&gt;&lt;br /&gt;/&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;DC Description&lt;/strong&gt; :&lt;/div&gt;&lt;br /&gt;&lt;div&gt;"The photographic collections of the library constitute a rich person historical and patrimonial unit, mainly inherited the National Foundation of Photography in 1994. Among the old processes, several thousands of glass plates and autochrome plates reflect the activity of photographers between XIXe and XXe century in particular through the funds Fernand Arloing and the Funds Paul Grenot."&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;DC Subject :&lt;br /&gt;&lt;/strong&gt;-autochromes&lt;/div&gt;&lt;br /&gt;&lt;div&gt;-Fernand Arloing&lt;/div&gt;&lt;br /&gt;&lt;div&gt;-photograph&lt;/div&gt;&lt;br /&gt;&lt;div&gt;-photographic collections&lt;/div&gt;&lt;br /&gt;&lt;div&gt;-glass plates &lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;DC Format :&lt;/strong&gt; &lt;/div&gt;&lt;br /&gt;&lt;div&gt;Html &lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;DC Language :&lt;/strong&gt; &lt;/div&gt;&lt;br /&gt;&lt;div&gt;Fr&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;DC Type :&lt;/strong&gt; &lt;/div&gt;&lt;br /&gt;&lt;div&gt;Article &lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;DC Rights&lt;/strong&gt; : &lt;/div&gt;public library of Lyon&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-6356465588140580702?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/6356465588140580702/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=6356465588140580702' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/6356465588140580702'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/6356465588140580702'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/02/autochromes-et-plaques-de-verre.html' title='Autochromes et plaques de verre'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_YiFa18syMq0/R7Rs2CmA14I/AAAAAAAAAA8/6DfTjRPXt8I/s72-c/boite02-A046_2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-683153717780180777</id><published>2008-02-14T07:17:00.000-08:00</published><updated>2008-03-13T08:30:33.259-07:00</updated><title type='text'>Collections and Library</title><content type='html'>&lt;a href="http://bp3.blogger.com/_YiFa18syMq0/R7Rg7SmA13I/AAAAAAAAAA0/8y6GuIS3cWc/s1600-h/self-potrait-111.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5166861244220626802" style="FLOAT: right; MARGIN: 0px 0px 10px 10px" alt="" src="http://bp3.blogger.com/_YiFa18syMq0/R7Rg7SmA13I/AAAAAAAAAA0/8y6GuIS3cWc/s200/self-potrait-111.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="OLE_LINK2"&gt;&lt;/a&gt;&lt;strong&gt;FULL REFERENCE&lt;/strong&gt; &lt;/div&gt;&lt;br /&gt;&lt;div&gt;Royal Academy of art. Collections and Library. &lt;em&gt;Royal Academie of art&lt;/em&gt;. [on ligne] [1 page] (visited : 2008/02/14) Available at : &lt;a href="http://www.royalacademy.org.uk/collectionsandlibrary/"&gt;http://www.royalacademy.org.uk/collectionsandlibrary/&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;EXTRACT&lt;/strong&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;“The collection focuses on British art and artists and predominantly ranges from the 18th century to the present day.”&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;DUBLIN CORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Title :&lt;/strong&gt;&lt;br /&gt;Collections and Library&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Creator :&lt;br /&gt;&lt;/strong&gt;Royal Academy of art&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;Identifier :&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.royalacademy.org.uk/collectionsandlibrary/"&gt;http://www.royalacademy.org.uk/collectionsandlibrary/&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;DC Date :&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;strong&gt;DC Description :&lt;br /&gt;&lt;/strong&gt;This is the website of the Royal Academy of Arts, London. The Royal Academy has free exhibitions and paid-entry exhibitions all year round in its historic galleries on Piccadilly in London's West End. On this site you can buy tickets for our exhibitions and read more about the Royal Academy of Arts, the RA Schools, the Collections and Library, RA Magazine, the RA Architecture Programme, our Education Programme and Corporate Services. One of London's leading art galleries and museums with exhibitions all year round, including Rodin, Chola, Citizens and Kings, the Unknown Monet, Impressionists by the Sea and Summer Exhibition 2007.&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;strong&gt;DC Subject :&lt;br /&gt;&lt;/strong&gt;-British art scene &lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;-contemporary art&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;-free exhibitions&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;-historic collections&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;-Royal Academicians&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;-Royal Academy London&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;-Royal Academy of Arts&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;strong&gt;DC Format :&lt;/strong&gt;&lt;br /&gt;Html &lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;strong&gt;DC Language&lt;/strong&gt; : &lt;/div&gt;&lt;div align="justify"&gt;En&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;strong&gt;DC Type :&lt;/strong&gt; &lt;/div&gt;&lt;div align="justify"&gt;Article &lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;strong&gt;DC Rights&lt;/strong&gt; : &lt;/div&gt;&lt;div align="justify"&gt;Royal Academy of art &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-683153717780180777?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/683153717780180777/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=683153717780180777' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/683153717780180777'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/683153717780180777'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/02/collections-and-library.html' title='Collections and Library'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_YiFa18syMq0/R7Rg7SmA13I/AAAAAAAAAA0/8y6GuIS3cWc/s72-c/self-potrait-111.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-8748943837321412061</id><published>2008-02-14T07:09:00.000-08:00</published><updated>2008-03-13T08:10:13.316-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='decorative art'/><category scheme='http://www.blogger.com/atom/ns#' term='Wallace Collection'/><category scheme='http://www.blogger.com/atom/ns#' term='collections'/><category scheme='http://www.blogger.com/atom/ns#' term='watercolour'/><category scheme='http://www.blogger.com/atom/ns#' term='museums'/><category scheme='http://www.blogger.com/atom/ns#' term='paintings'/><category scheme='http://www.blogger.com/atom/ns#' term='gallery'/><title type='text'>Lunar Landscapes'...The Metallurgy of Armour</title><content type='html'>&lt;a href="http://bp1.blogger.com/_YiFa18syMq0/R7RbcymA12I/AAAAAAAAAAs/SV3J79vffJI/s1600-h/exhibition_68_fullimagepath__armourmain.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5166855222676477794" style="FLOAT: right; MARGIN: 0px 0px 10px 10px" alt="" src="http://bp1.blogger.com/_YiFa18syMq0/R7RbcymA12I/AAAAAAAAAAs/SV3J79vffJI/s200/exhibition_68_fullimagepath__armourmain.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a name="OLE_LINK2"&gt;&lt;strong&gt;FULL REFERENCE&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;The Wallace collection. Lunar Landscapes'...The Metallurgy of Armour. &lt;em&gt;The Wallace Collection&lt;/em&gt; [on ligne] [1 page] (visited : 2008/02/14) Available at : &lt;a href="http://www.wallacecollection.org/collections/exhibition/68"&gt;http://www.wallacecollection.org/collections/exhibition/68&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EXTRACT&lt;/strong&gt;&lt;br /&gt;"This exhibition, found in the lower ground floor conservation gallery, offers a unique insight into the work of the Conservation Department here at the Wallace Collection."&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DUBLIN CORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Title :&lt;br /&gt;&lt;/strong&gt;Lunar Landscapes'...The Metallurgy of Armour.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Creator :&lt;/strong&gt;&lt;br /&gt;The Wallace Collection&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Identifier :&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://www.wallacecollection.org/collections/exhibition/68"&gt;http://www.wallacecollection.org/collections/exhibition/68&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Date :&lt;/strong&gt;&lt;br /&gt;/&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Description :&lt;/strong&gt;&lt;br /&gt;The Wallace Collection is home to one of Europes finest collections of works of art, paintings, furniture, arms &amp;amp; armour and porcelain.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Subject :&lt;/strong&gt;&lt;br /&gt;-arms&lt;br /&gt;-ceramic&lt;br /&gt;-decoratives art&lt;br /&gt;-drawing&lt;br /&gt;-fine art&lt;br /&gt;-furnitures&lt;br /&gt;-gallery&lt;br /&gt;-Ingres&lt;br /&gt;-museums&lt;br /&gt;-paintings&lt;br /&gt;-Rembrandt&lt;br /&gt;-Reynolds&lt;br /&gt;-Wallace Collection&lt;br /&gt;-watercolours&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Format :&lt;/strong&gt;&lt;br /&gt;Html&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Language&lt;/strong&gt; :&lt;br /&gt;En&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Type&lt;/strong&gt; :&lt;br /&gt;Article&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Rights :&lt;/strong&gt;&lt;br /&gt;The Wallace Collection&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-8748943837321412061?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/8748943837321412061/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=8748943837321412061' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/8748943837321412061'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/8748943837321412061'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/02/lunar-landscapesthe-metallurgy-of.html' title='Lunar Landscapes&apos;...The Metallurgy of Armour'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_YiFa18syMq0/R7RbcymA12I/AAAAAAAAAAs/SV3J79vffJI/s72-c/exhibition_68_fullimagepath__armourmain.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-7506317225684977840</id><published>2008-02-07T08:10:00.000-08:00</published><updated>2008-02-25T06:17:13.102-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ex-libris'/><title type='text'>Qu’est-ce qu’un ex-libris ?</title><content type='html'>&lt;a href="http://bp0.blogger.com/_YiFa18syMq0/R6sv0qsZYeI/AAAAAAAAAAk/FtBQs0LBTPU/s1600-h/ammann.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5164273979570610658" style="margin: 0px 0px 10px 10px; float: right;" alt="" src="http://bp0.blogger.com/_YiFa18syMq0/R6sv0qsZYeI/AAAAAAAAAAk/FtBQs0LBTPU/s200/ammann.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a name="OLE_LINK2"&gt;&lt;strong&gt;FULL REFERENCE&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;JUNOD, Benoît. Qu’est-ce qu’un ex-libris ? &lt;em&gt;Kara art&lt;/em&gt;. [On ligne] [6 pages] (visited : 2007/12/31) Available : &lt;a href="http://karaart.com/prints/ex-libris/ex-libris/ex-libris.html"&gt;http://karaart.com/prints/ex-libris/ex-libris/ex-libris.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EXTRACT&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;« Un Ex-libris est une marque de possession, en général un feuillet imprimé de petite taille, collé à l’intérieur de la couverture d’un livre pour en identifier le propriétaire. »&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DUBLIN CORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Title :&lt;/strong&gt;&lt;br /&gt;Qu’est-ce qu’un ex-libris ?&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Creator :&lt;br /&gt;&lt;/strong&gt;JUNOD, Benoît&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Identifier :&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://karaart.com/prints/ex-libris/ex-libris/ex-libris.html"&gt;http://karaart.com/prints/ex-libris/ex-libris/ex-libris.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Date :&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Description :&lt;/strong&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Defines what is an ex libris, its creation, topics and images used. Gives a numerical indification on their design since 1470. Wonders about the interest to collect, create, order ex libris, before concluding on advice.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;DC Subject :&lt;/strong&gt;&lt;br /&gt;- ex-libris&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;DC Format :&lt;/strong&gt;&lt;br /&gt;Html&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Language :&lt;/strong&gt;&lt;br /&gt;Fr&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Type :&lt;br /&gt;&lt;/strong&gt;Article&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Rights :&lt;/strong&gt;&lt;br /&gt;Bjunod&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-7506317225684977840?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/7506317225684977840/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=7506317225684977840' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/7506317225684977840'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/7506317225684977840'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/02/quest-ce-quun-ex-libris.html' title='Qu’est-ce qu’un ex-libris ?'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_YiFa18syMq0/R6sv0qsZYeI/AAAAAAAAAAk/FtBQs0LBTPU/s72-c/ammann.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-1085666513145053142</id><published>2008-02-07T07:49:00.000-08:00</published><updated>2008-02-25T05:40:23.838-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='photography'/><category scheme='http://www.blogger.com/atom/ns#' term='description'/><category scheme='http://www.blogger.com/atom/ns#' term='prints'/><category scheme='http://www.blogger.com/atom/ns#' term='national library of France'/><title type='text'>Le département des Estampes et de la photographie</title><content type='html'>&lt;a href="http://bp3.blogger.com/_YiFa18syMq0/R6stDasZYdI/AAAAAAAAAAc/4Zz4QQ0e4WQ/s1600-h/logo.gif"&gt;&lt;img id="BLOGGER_PHOTO_ID_5164270934438797778" style="margin: 0px 0px 10px 10px; float: right;" alt="" src="http://bp3.blogger.com/_YiFa18syMq0/R6stDasZYdI/AAAAAAAAAAc/4Zz4QQ0e4WQ/s200/logo.gif" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a name="OLE_LINK2"&gt;&lt;strong&gt;FULL REFERENCE&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;Bibliothèque nationale de France. Le département des Estampes et de la photographie. &lt;em&gt;BNF&lt;/em&gt;. [en ligne] [2 pages] (visited : 2008/01/08) Available at : &lt;a href="http://www.bnf.fr/pages/zNavigat/frame/collections.htm?ancre=coll_est.htm"&gt;http://www.bnf.fr/pages/zNavigat/frame/collections.htm?ancre=coll_est.htm&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;strong&gt;EXTRACT&lt;/strong&gt;&lt;br /&gt;« Généralement, on considère que le Cabinet des Estampes est né en 1667. Certes, en 1648, Jacques Dupuy, garde de la Bibliothèque royale, a fait étendre expressément aux estampes l’obligation de dépôt instituée en 1537 pour les livres, mais la récolte légale n’est sous Colbert que de quelques centaines d’unités. Le ministre a conçu pour la Bibliothèque royale de vastes projets, et considère qu’une belle collection d’images en augmenterait le prestige. Il acquiert celle qu’a constituée Michel de Marolles, abbé de Villeloin, collection qui se monte à cent-vingt mille pièces. »&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DUBLIN CORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Title :&lt;br /&gt;&lt;/strong&gt;Le département des Estampes et de la photographie&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Creator :&lt;br /&gt;&lt;/strong&gt;BNF&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Identifier :&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://www.bnf.fr/pages/zNavigat/frame/collections.htm?ancre=coll_est.htm"&gt;http://www.bnf.fr/pages/zNavigat/frame/collections.htm?ancre=coll_est.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Date :&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Description :&lt;/strong&gt;&lt;br /&gt;After having presented a history, one specifies the figures of the department and the documentary policy. Presents, the instruments of work and the publication before concluding on the life from the department.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Subject :&lt;/strong&gt;&lt;br /&gt;- National library of France&lt;br /&gt;- cabinet of the prints&lt;br /&gt;- department of the prints and photography&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Format&lt;/strong&gt; :&lt;br /&gt;Html&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Language :&lt;/strong&gt;&lt;br /&gt;Fr&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Type :&lt;/strong&gt;&lt;br /&gt;Description prints&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;DC Rights :&lt;/strong&gt;&lt;br /&gt;BNF&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-1085666513145053142?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/1085666513145053142/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=1085666513145053142' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/1085666513145053142'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/1085666513145053142'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/02/le-dpartement-des-estampes-et-de-la.html' title='Le département des Estampes et de la photographie'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_YiFa18syMq0/R6stDasZYdI/AAAAAAAAAAc/4Zz4QQ0e4WQ/s72-c/logo.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-5546645621858161372</id><published>2008-02-07T07:30:00.000-08:00</published><updated>2008-03-13T08:11:31.148-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='BPU'/><category scheme='http://www.blogger.com/atom/ns#' term='ephemera'/><category scheme='http://www.blogger.com/atom/ns#' term='descriptions'/><category scheme='http://www.blogger.com/atom/ns#' term='French university public library'/><title type='text'>LA COLLECTION D’EPHEMERA DE LA  BPU</title><content type='html'>&lt;a href="http://bp3.blogger.com/_YiFa18syMq0/R6sndasZYcI/AAAAAAAAAAU/StfgvD-QIUc/s1600-h/images.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5164264784045629890" style="FLOAT: right; MARGIN: 0px 0px 10px 10px" alt="" src="http://bp3.blogger.com/_YiFa18syMq0/R6sndasZYcI/AAAAAAAAAAU/StfgvD-QIUc/s200/images.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;FULL REFERENCE&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;JACQUESSON, Alain. LA COLLECTION D’EPHEMERA DE LA BPU. &lt;em&gt;BGE GENEVE&lt;/em&gt; [On ligne] 14.11.2003 [1page]. (visited : 2007/10/22). Available at : &lt;a href="http://www.ville-ge.ch/bge/expos/f/jacquesson-2003.htm"&gt;http://www.ville-ge.ch/bge/expos/f/jacquesson-2003.htm&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;EXTRACT&lt;/strong&gt; &lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;« Les produits de l'imprimerie ne se limitent pas aux seuls livres et périodiques. Ils prennent parfois des formes monumentales comme les affiches, mais aussi confidentielles: ce sont les imprimés de tous les jours. Ils ont un caractère commun: a priori ils ne sont pas faits pour durer: c'est le principe même de l'éphémère. Ephémère ou ephemera est le nom que les bibliophiles donnent à ce type de publications. »&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DUBLIN CORE&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;DC Title :&lt;/strong&gt;&lt;br /&gt;LA COLLECTION D’EPHEMERA DE LA BPU&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Creator :&lt;/strong&gt;&lt;br /&gt;JACQUESSON, Alain&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Identifier :&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.ville-ge.ch/bge/expos/f/jacquesson-2003.htm"&gt;http://www.ville-ge.ch/bge/expos/f/jacquesson-2003.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Date :&lt;/strong&gt;&lt;br /&gt;2003-12-14&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Description :&lt;/strong&gt;&lt;br /&gt;Presents the character and specificities of these documents of varied importance and interests. Lists various linguistic designations, principal series held by the BPU (French university public library) and cataloging standards for them.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Subject :&lt;/strong&gt;&lt;br /&gt;- bibliographic descriptions&lt;br /&gt;- French university public library&lt;br /&gt;- typology of ephemera&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Format :&lt;/strong&gt;&lt;br /&gt;Html&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;strong&gt;DC Language :&lt;br /&gt;&lt;/strong&gt;Fr&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Type :&lt;/strong&gt;&lt;br /&gt;Drive advice with the readers&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DC Rights :&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;Library of  GENEVE 2003&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-5546645621858161372?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/5546645621858161372/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=5546645621858161372' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/5546645621858161372'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/5546645621858161372'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/02/la-collection-dephemera-de-la-bpu.html' title='LA COLLECTION D’EPHEMERA DE LA  BPU'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_YiFa18syMq0/R6sndasZYcI/AAAAAAAAAAU/StfgvD-QIUc/s72-c/images.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-4874633648958218673</id><published>2008-02-01T00:44:00.000-08:00</published><updated>2008-03-13T08:13:27.819-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='graphic arts'/><category scheme='http://www.blogger.com/atom/ns#' term='conservation'/><category scheme='http://www.blogger.com/atom/ns#' term='collections'/><category scheme='http://www.blogger.com/atom/ns#' term='posters'/><title type='text'>La maison du livre et de l'affiche de Chaumont. Aux origines des collections.</title><content type='html'>&lt;a href="http://bp0.blogger.com/_YiFa18syMq0/R6sdcqsZYbI/AAAAAAAAAAM/vAdIU7g16yk/s1600-h/3275_1.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5164253776044450226" style="FLOAT: right; MARGIN: 0px 0px 10px 10px" height="154" alt="" src="http://bp0.blogger.com/_YiFa18syMq0/R6sdcqsZYbI/AAAAAAAAAAM/vAdIU7g16yk/s320/3275_1.jpg" width="241" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;strong&gt;FULL REFERENCE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;MORIS, Joël. La maison du livre et de l’affiche de Chaumont. &lt;em&gt;BBF &lt;/em&gt;[En ligne] juin- juillet 2007, tome 52, numéro 4, pages 61-63, (visited : 2007/10/04). Available at: &lt;a href="http://bbf.enssib.fr/sdx/BBF/frontoffice/2007/04/document.xsp?id=bbf-2007-04-0061-009/2007/04/fam-dossier/dossier&amp;amp;statutMaitre=non&amp;amp;statutFils=non"&gt;&lt;span style="font-size:78%;"&gt;http://bbf.enssib.fr/sdx/BBF/frontoffice/2007/04/document.xsp?id=bbf-2007-04-0061-009/2007/04/fam-dossier/dossier&amp;amp;statutMaitre=non&amp;amp;statutFils=non&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EXTRACT&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="COLOR: rgb(0,0,0)"&gt;« Le destin croisé et la vie mouvementée des collections d’affiches et de livres de la bibliothèque de Chaumont ont débuté en 1906 par le legs de Gustave Dutailly à la ville de Chaumont. Gustave Dutailly était un ancien conseiller général et député du département de la Haute-Marne, porté à l’Assemblée nationale à trois reprises en 1881,1885 et 1898 sur une liste radicale d’extrême gauche. »&lt;/span&gt;&lt;/div&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;DUBLIN CORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;• &lt;strong&gt;DC Title&lt;/strong&gt; : La maison du livre et de l’affiche de Chaumont. Aux origines des collections&lt;br /&gt;&lt;br /&gt;• &lt;strong&gt;DC Creator&lt;/strong&gt; : MORIS, Joël&lt;br /&gt;&lt;br /&gt;• &lt;strong&gt;DC Identifier&lt;/strong&gt; : &lt;a href="http://bbf.enssib.fr/sdx/BBF/frontoffice/2007/04/document.xsp?id=bbf-2007-04-0061-009/2007/04/fam-dossier/dossier&amp;amp;statutMaitre=non&amp;amp;statutFils=non" target="_blank"&gt;&lt;span style="font-size:78%;"&gt;http://bbf.enssib.fr/sdx/BBF/frontoffice/2007/04/document.xsp?id=bbf-2007-04-0061-009/2007/04/fam-dossier/dossier&amp;amp;statutMaitre=non&amp;amp;statutFils=non&lt;/span&gt;&lt;/a&gt;&lt;a href="http://bbf.enssib.fr/sdx/BBF/frontoffice/2007/04/document.xsp?id=bbf-2007-04-0061-009/2007/04/fam-dossier/dossier&amp;amp;statutMaitre=non&amp;amp;statutFils=non" target="_blank"&gt;&lt;span style="font-size:78%;"&gt;2007-04-0061-009/2007/04/fam-&lt;/span&gt;&lt;/a&gt;&lt;a href="http://bbf.enssib.fr/sdx/BBF/frontoffice/2007/04/document.xsp?id=bbf-2007-04-0061-009/2007/04/fam-dossier/dossier&amp;amp;statutMaitre=non&amp;amp;statutFils=non" target="_blank"&gt;&lt;span style="font-size:78%;"&gt;dossier/dossier&amp;amp;statutMaitre=non&amp;amp;statutFils=non&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;• &lt;strong&gt;DC Date&lt;/strong&gt; : 2007-05&lt;br /&gt;&lt;br /&gt;• &lt;strong&gt;DC Description&lt;/strong&gt; :&lt;br /&gt;Presents two major collections on the history of the poster and the creation of graphic arts : the Dutailly collection end the contempory collection. Concludes with a policy statement on conservation&lt;br /&gt;&lt;br /&gt;• &lt;strong&gt;DC Subject&lt;/strong&gt; :&lt;br /&gt;posters&lt;br /&gt;Dutailly collection Museums&lt;br /&gt;collections&lt;br /&gt;conservation policies&lt;br /&gt;graphics art&lt;br /&gt;&lt;br /&gt;• &lt;strong&gt;DC Format&lt;/strong&gt; : html&lt;br /&gt;&lt;br /&gt;• &lt;strong&gt;DC Type&lt;/strong&gt; : text dossier&lt;br /&gt;&lt;br /&gt;• &lt;strong&gt;DC Language&lt;/strong&gt; : Fr&lt;br /&gt;&lt;br /&gt;• &lt;strong&gt;DC Rights&lt;/strong&gt; : bulletin of the libraries of France (BBF) 2007&lt;br /&gt;&lt;br /&gt;• &lt;strong&gt;DC Publisher&lt;/strong&gt; : &lt;a href="http://bbf.enssib.fr/" target="_blank"&gt;http://bbf.enssib.fr/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;• &lt;strong&gt;DC Coverage&lt;/strong&gt; : Fr&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-4874633648958218673?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/4874633648958218673/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=4874633648958218673' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/4874633648958218673'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/4874633648958218673'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/02/la-maison-du-livre-et-de-laffiche-de.html' title='La maison du livre et de l&apos;affiche de Chaumont. Aux origines des collections.'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_YiFa18syMq0/R6sdcqsZYbI/AAAAAAAAAAM/vAdIU7g16yk/s72-c/3275_1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7770859555037884979.post-7893631630136563436</id><published>2008-01-24T07:49:00.000-08:00</published><updated>2008-04-03T07:23:00.988-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Glossary'/><title type='text'>Glossary</title><content type='html'>&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-size:180%;"&gt;A&lt;/span&gt; &lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;Arts graphiques&lt;/em&gt;&lt;/strong&gt;&lt;em&gt;&lt;br /&gt;&lt;br /&gt;Techniques de représentation d'objets, de décoration, d'écriture ou d'impression sur surfaces planes : dessin, gravure, lithographie, sérigraphie, etc.&lt;br /&gt;&lt;/em&gt;&lt;a href="http://www.granddictionnaire.com/btml/fra/r_motclef/index800_1.asp" target="_blank"&gt;&lt;em&gt;Le grand dictionnaire&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Graphic arts&lt;br /&gt;&lt;br /&gt;Drawing, painting, engraving, etching, etc., together with their preparation for reproduction by printing.&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.granddictionnaire.com/btml/fra/r_motclef/index1024_1.asp" target="_blank"&gt;&lt;strong&gt;Le grand dictionnaire&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;-**-&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Affiche&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Feuille de format variable qui est imprimée sur un côté seulement et qui est destinée à être exposée en public ou en privé.&lt;br /&gt;&lt;/em&gt;&lt;a href="http://www.granddictionnaire.com/btml/fra/r_motclef/index800_1.asp" target="_blank"&gt;&lt;em&gt;Le grand dictionnaire&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Poster&lt;br /&gt;&lt;br /&gt;Single or multi-sheet notices made to attract attention to events, activities, cuases, goods, or services; also, purely decorative posters. For posting, usually in a public place; chiefly pictorial. Intended to make an immediate impression from a distance .&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://memory.loc.gov/ammem/techdocs/genre.html" target="_blank"&gt;&lt;strong&gt;The library of Congress&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt; &lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;-**-&lt;br /&gt;&lt;span style="font-size:180%;"&gt;B &lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;strong&gt;Bibliothèque&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Organisme ou partie d'un orga&lt;span &gt;nis&lt;/span&gt;me dont le but principal est de constituer des collections organisées de livres et de publications en série imprimés, ou tous autres documents graphiques ou audiovisuels, de les tenir à jour et de faciliter, grâce à un personnel spécialisé, l'utilisation de documents tels que ceux qui répondent à des besoins d'information, de recherche, d'éducation ou de loisir des usagers.&lt;br /&gt;&lt;/em&gt;&lt;a href="http://www.granddictionnaire.com/btml/fra/r_motclef/index800_1.asp" target="_blank"&gt;&lt;em&gt;Le grand dictionnaire&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Library&lt;br /&gt;&lt;br /&gt;A place established to contain books, manuscripts, and other material for reading, study, viewing, listening, or reference, usually consisting of organized stacks and files to contain reference materials as well as places to read, copy, view, or listen to the selected material.&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.answers.com/LIBRARY?cat=biz-fin"&gt;&lt;strong&gt;Answers.com&lt;/strong&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;/div&gt;&lt;p&gt;&lt;span style="font-size:180%;"&gt;&lt;/span&gt; &lt;/p&gt;&lt;div align="center"&gt;-**-&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-size:180%;"&gt;C&lt;/span&gt; &lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Carte postale&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Carte sur laquelle on peut écrire un message sans qu'il soit besoin d'enveloppe&lt;br /&gt;&lt;/em&gt;&lt;a href="http://www.granddictionnaire.com/btml/fra/r_motclef/index800_1.asp" target="_blank"&gt;&lt;em&gt;Le grand dictionnaire&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Post card&lt;br /&gt;&lt;br /&gt;A card on which a message may be sent without an envelop.&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.granddictionnaire.com/btml/fra/r_motclef/index800_1.asp" target="_blank"&gt;&lt;strong&gt;Le grand dictionnaire&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;-**-&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Collection&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Regroupement de documents qui sont détenus par une bibliothèque et qui sont réunis selon des critères thématiques ou physiques.&lt;br /&gt;&lt;/em&gt;&lt;a href="http://atilf.atilf.fr/dendien/scripts/tlfiv5/advanced.exe?8;s=2974711935;" target="_blank"&gt;&lt;em&gt;Trésor de la langue française&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;-**-&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Conservation&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Action de maintenir hors de toute altération, dans le même état ou en bon état.&lt;br /&gt;&lt;/em&gt;&lt;a href="http://atilf.atilf.fr/dendien/scripts/tlfiv5/advanced.exe?8;s=1537539075;"&gt;&lt;em&gt;TLFI&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Preservation&lt;br /&gt;&lt;br /&gt;A careful preservation and protection of something; especially : planned management of a natural resource to prevent exploitation, destruction, or neglect.&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.merriam-webster.com/dictionary/conservation"&gt;&lt;strong&gt;Merriam-webster&lt;/strong&gt;&lt;/a&gt; &lt;/div&gt;&lt;div align="center"&gt; &lt;/div&gt;&lt;div align="center"&gt; &lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;-**-&lt;br /&gt;&lt;span style="font-size:180%;"&gt;E &lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;strong&gt;Estampe &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Image imprimée après avoir été gravée sur métal, bois, pierre lithographique, linoléum, etc. Épreuve de gravure sur cuivre et, par extension, sur bois et sur pierre lithographique.&lt;br /&gt;&lt;/em&gt;&lt;a href="http://www.granddictionnaire.com/btml/fra/r_motclef/index800_1.asp" target="_blank"&gt;&lt;em&gt;Le grand dictionnaire&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Print&lt;br /&gt;&lt;br /&gt;A mark or impression made in or on a surface by pressure.&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.thefreedictionary.com/print"&gt;&lt;strong&gt;The free dictionnary&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;-**-&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Ephemera &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Modestes témoins graphiques de la vie quotidienne, devenus rares car considérés sans intérêt et sans valeur jusqu’à une époque récente, documents à diffusion gratuite ou accompagnant des produits usuels de consommation et par essence jetables.&lt;br /&gt;&lt;/em&gt;&lt;a href="http://bbf.enssib.fr/sdx/BBF/frontoffice/2007/04/document.xsp?id=bbf-2007-04-0055-008/2007/04/fam-dossier/dossier&amp;amp;statutMaitre=non&amp;amp;statutFils=non"&gt;&lt;em&gt;BBF&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ephemera&lt;br /&gt;&lt;br /&gt;Paper items (as posters, broadsides, and tickets) that were originally meant to be discarded after use but have since become collectibles.&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.merriam-webster.com/dictionary/ephemera"&gt;&lt;strong&gt;Merriam-webster&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;-**-&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Ex-libris&lt;/strong&gt; &lt;/em&gt;&lt;/div&gt;&lt;em&gt;&lt;div align="center"&gt;&lt;br /&gt;Un Ex-libris est une marque de possession, en général un feuillet imprimé de petite taille, collé à l’intérieur de la couverture d’un livre pour en identifier le propriétaire. &lt;/em&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;a href="http://karaart.com/prints/ex-libris/ex-libris/ex-libris.html"&gt;&lt;em&gt;Kara art&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Ex-libris&lt;br /&gt;&lt;br /&gt;Small printed graphic work of art, indicating the name of the owner of a book and pasted into his volumes.&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://karaart.com/prints/ex-libris/index.html"&gt;&lt;strong&gt;Kara art&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt; &lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;-**-&lt;br /&gt;&lt;span style="font-size:180%;"&gt;M &lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:180%;"&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;strong&gt;Musée&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Établissement ouvert au public où sont conservés, répertoriés, classés des objets, des documents, des collections d'intérêt artistique, scientifique ou technique, dans un but socioculturel, scientifique et pédagogique.&lt;br /&gt;&lt;/em&gt;&lt;a href="http://atilf.atilf.fr/dendien/scripts/tlfiv5/saveregass.exe?35;s=33461865;r=2;;" target="_blank"&gt;&lt;em&gt;Trésor de la langue française&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Museum&lt;br /&gt;&lt;br /&gt;A museum is a "permanent institution in the service of society and of its development, open to the public, which acquires, conserves, researches, communicates and exhibits, for purposes of study, education, enjoyment, the tangible and intangible evidence of people and their environment".&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://en.wikipedia.org/wiki/Museum" target="_blank"&gt;&lt;strong&gt;Wikipedia&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;-**-&lt;br /&gt;&lt;span style="font-size:180%;"&gt;P &lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;em&gt;&lt;strong&gt;Papier peint&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Papier recouvert de peinture ou d'encre monochrome ou polychrome, avec ou sans motif décoratif, utilisé comme revêtement mural intérieur. &lt;/em&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;a href="http://www.granddictionnaire.com/btml/fra/r_motclef/index800_1.asp" target="_blank"&gt;&lt;em&gt;Le grand dictionnaire&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Wall paper&lt;br /&gt;&lt;br /&gt;A hanging paper or tile stock which has been suitably printed or decorated for wall coverings. &lt;/strong&gt;&lt;a href="http://www.granddictionnaire.com/btml/fra/r_motclef/index800_1.asp" target="_blank"&gt;&lt;strong&gt;Le grand dictionnaire&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;-**-&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Plaques de verre&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Les photographies sur plaques de verre sont des images négatives ou positives qui ont comme support le verre.&lt;br /&gt;Musée Municipal &lt;/em&gt;&lt;a href="http://www.alienor.org/Articles/plaque_verre/texte_a_imprimer.htm"&gt;&lt;em&gt;Georges&lt;/em&gt;&lt;/a&gt;&lt;em&gt; Turpin de Parthenaytrong&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Glass Plate&lt;br /&gt;&lt;br /&gt;A transparent plate of glass was coated with an emulsion containing light sensitive silver salts, then placed in the camera and exposed.&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.afterimagegallery.com/photoglossary.html"&gt;&lt;strong&gt;Basic Glossary of Photographic Processes&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;br /&gt;-**-&lt;br /&gt;&lt;span style="font-size:180%;"&gt;S&lt;/span&gt; &lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Sérigraphie &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Procédé d'impression qui utilise un écran formé de mailles dans lequel l'encrage est effectué à travers les mailles qui n'ont pas été obstruées et qui correspondent à l'image à imprimer.&lt;br /&gt;&lt;/em&gt;&lt;a href="http://www.granddictionnaire.com/btml/fra/r_motclef/index1024_1.asp"&gt;&lt;em&gt;Le grand dictionnaire&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;strong&gt;Silkscreen printing&lt;br /&gt;&lt;br /&gt;Stencil process of printmaking in which an image is imposed on a screen of silk or other fine mesh, with blank areas coated with an impermeable substance, and ink is forced through the mesh onto the printing surface. Also called serigraphy and screen-printing. Andy Warhol and Robert Raushenberg used silkscreens as a means of applying paint to canvases. Also, a print made by this method, sometimes called a screenprint.&lt;br /&gt;&lt;/strong&gt;&lt;a href="http://www.arttowngifts.com/Silkscreen-Printing-Definition-s/1566.htm"&gt;&lt;strong&gt;Art Town Gifts&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7770859555037884979-7893631630136563436?l=special-collections.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://special-collections.blogspot.com/feeds/7893631630136563436/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=7770859555037884979&amp;postID=7893631630136563436' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/7893631630136563436'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7770859555037884979/posts/default/7893631630136563436'/><link rel='alternate' type='text/html' href='http://special-collections.blogspot.com/2008/01/glossary.html' title='Glossary'/><author><name>CE</name><uri>http://www.blogger.com/profile/11622151903436618609</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
